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​山本 浩貴

Yamamoto HIROKI






博士(芸術)/PhD (Art)



文化研究/Cultural Studies


2019-2020 助教、東京藝術大学、大学院国際芸術創造研究科


2018-2020 Postdoctoral Fellow, School of Design, Hong Kong Polytechnic University, Hong Kong


2018 Research Fellow, Asia Culture Center (ACC), Gwangju, South Korea


2013-2018 Postgraduate Researcher, Research Centre for Transnational Art, Identity and Nation (TrAIN), University of the Arts London, London, United Kingdom


2018 PhD, Fine Art, University of the Arts London, Camberwell, Chelsea, Wimbledon Graduate School, London, United Kingdom


2013 MA (Distinction), Fine Art, University of the Arts London, Chelsea College of Arts, London, United Kingdom


2012 Postgraduate Diploma, Fine Art, University of the Arts London, Chelsea College of Arts, London, United Kingdom


2011 Foundation Diploma (Distinction), Art & Design, University of the Arts London, Central Saint Martins, London, United Kingdom


2010 学士, 社会科学, 一橋大学, 東京, 日本

2019 Situations Emerging Scholar’s Award
2017 サントリー財団若手研究者のためのチャレンジ研究助成
2016 野村財団芸術文化助成
2015 British Council Japan Association Fellowshipポーラ財団若手芸術家の在外研修助成ロータリー財団地区奨学金
2014 Shortlisted, Red Manson Prize, The Red Manson Foundation
2013 ユニバーサルホーム・デザインコンペ優秀賞
2013-2017 UAL Research Student Support Funding


2021 “A Dialogue with Soni Kum: Art Activism and Post-colonial Experiences in Contemporary Japan”, in The Art of Intervention: Activism and Performance Art in Japan. Edited by Fran Lloyd, London: Reaktion (forthcoming in December).


2020 「エコロジーの美術史」『美術手帖』2020年6月号、94-103頁
“Addressing Transnational Legacies of Colonialism through Art: Cases from Contemporary Japan”, in Media Culture in Transnational Asia: Convergences and Divergences. Edited by Hyesu Park, 108-125, New Brunswick, NJ: Rutgers University Press.

2019 『現代美術史---欧米、日本、トランスナショナル』中央公論新社
“Decolonial Possibilities of Transnationalism in Contemporary Zainichi Korean Art”, Situations: Cultural Studies in the Asian Context 12, no. 1: 107-28.
「日本でアジアを語ることのアポリア」『現代の眼』、630号: 4-5頁

2018 “Decolonising Curriculum”, in Decolonising the Arts Curriculum: Perspectives on Higher Education. Edited by Hansika Jethnani, Lucy Panesar and Rahul Patel, 32-33, London: University of the Arts London.

“On Archive”, Allotment Art Magazine, 3: 2-5.

2017 “Artists as Historiographer?: Art of Remembering in the Age of Forgetting, Art of Listening in the Age of Talking, and Art of Imagination in the Age of Totalitarianism”, Socially Engaged Art Research Laboratory.

2016 “In-Between Assimilation and Dissimilation: Artistic Responses to Postcolonial Issues of Ethnic Minorities in East Asia and the Commonwealth of Nations”, in Situating Strangeness: Exploring the Intersections between Bodies and Borders. Edited by Vanessa Longden, 91-101, Oxford: Inter-Disciplinary.

2015 「英国のブラック・アートにおける反レイシズム戦略の多様性:クローデット・ジョンソンとリネッテ・イアドム=ボアキエの作品を例に考える」『図書新聞』、5月9日
「書かれなかった歴史に光を当てる---アートと民族的フォビア」A critical journal on contemporary art #003 Pa+ Phobia and Artistic Production: 14.
“Boundary, Antonio Gramsci, Polyphony: Critical Art Today”, Journal of Arts Writing, 1(1): 55-62.
“Art and Ecology: On the Human-centered Structure in Ecological Art”, in MILK: Cambridge Sustainability Residency. Edited by Marina Velez Vago, 34-39, Cambridge, Matte Magazine.


2018 Transnational Tokyo, Lily Agius Gallery, Valletta, Republic of Malta
Open Studio 2018–2019, Tokyo Art and Space, Tokyo, Japan


2016 Zones of Discomfort, Seoul Museum of Art Nanji Exhibition Hall, Seoul, Korea
On the Threshold: Formal Presence, Durham University Oriental Museum, Durham, United Kingdom

2015 個展「他者の表象、表象の他者」京都芸術センター、京都、日本
Whose Game Is It?, Royal College of Art, London, United Kingdom

2014 足尾芸術祭、栃木、日本
Process Practice Play, Chelsea College of Arts Triangle Gallery, London, United Kingdom
Quid Pro Quo: Negotiating Futures, Changing Spaces, Cambridge, United Kingdom

2013 Ghetto Biennale, Port-au-Prince, Republic of Haiti
Superimpose, Crypt Gallery, London, United Kingdom
Kinetica Art Fair, Westminster University, London, United Kingdom

2012 Living Space, So Far the Future Gallery, London, United Kingdom

2011 From Work to Text, Central Saint Martins Innovation Gallery, London, United Kingdom


2018 ACC Residency, Asia Art Center, Gwangju, Korea


2016 SeMA Nanji Residency, Seoul Museum of Art, Seoul, Korea

2015 アーティスト・イン・レジデンスプログラム、京都芸術センター、京都、日本

2014 WATARASEアートプロジェクト、栃木、日本
Cambridge Sustainability Residency, Anglia Ruskin University, Cambridge, United Kingdom

2013 Ghetto Biennale Residency, Port-au-Prince, Republic




京都芸術大学 美術工芸学科 非常勤講師                             

大阪市立大学 大学院都市経営研究科 非常勤講師

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